An exploration of experimental and multidisciplinary forms of cinema
UNITED STATES | 3 minutes | 2015
A color explosion sparkles, bubbles, and fractures in this hand-crafted 16mm film. Reeves utilized an array of mediums and direct-on-film techniques to create this exuberant, psychedelic morsel of cinema as material. But it speaks of the end of one era or another, a time for letting go and celebration. For the soundtrack, Reeves mixed samples from rusty, dusty old machines, records, and electric waves to create an aural passage through technological progress.
As part of PROGRAMME LAB 4
No biography
COLOR NEUTRAL (2014, 16mm, 3 minutes)STRAWBERRIES IN THE SUMMERTIME (2013, 16mm-HD, 15 minutes)LANDFILL 16 (2011, 16mm, 9 minutes)TRAINS ARE FOR DREAMING (2009, 16mm, 7 minutes)WHEN IT WAS BLUE (2008, dual-projection 16mm, 65 minutes)LIGHT WORK MOOD DISORDER (2007, dual-projection 16mm, 27 minutes)HE WALKED AWAY (2003-2006, dual-projection 16mm, 17 minutes) LIGHT WORK I (2006, 16mm/HDCAM, 8 minutes)SHADOWS CHOOSE THEIR HORRORS (2005, 16mm-Digi-beta, 31 minutes)THE TIME WE KILLED (2004, 16mm, 94 minutes)THE SONS OF BITCHES TURNED OUT THE LIGHTS AGAIN (2003, 16mm, 3 minutes)FEAR OF BLUSHING (2001, 16mm, 6 minutes)SKINNY TEETH (2001, VHS-DVCAM, 7 minutes)DARLING INTERNATIONAL (1999, co-director M.M. Serra, 16mm, 22 minutes)WE ARE GOING HOME (1998, 16mm, 10 minutes)CHRONIC (1996, 16mm, 38 minutes)THE GIRL'S NERVY (1995, 16mm, 5 minutes)CONFIGURATION 20 (1994, 16mm, 12 minutes)MONSTERS IN THE CLOSET (1993, 16mm, 15 minutes)TASTE IT NINE TIMES (1992, 16mm, 5.5 minutes)GIRLS DAYDREAM ABOUT HOLLYWOOD (1992, 16mm, 4.5 minutes)ELATIONS IN NEGATIVE (1990, 16mm, 4.5 minutes)
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